Vintage Shop Display Oak Veneer Glass Italy 1950s

Reception desk, larch wood, decorated glass on the front and on one side, vinyl material on the top and in the lower part.

Vintage wall bookcase made in Italy with wainscoting, adjustable storage compartments with drop-down and hinged doors, drawers and shelves in teak veneered wood.

Female Portrait 1937

Oil on canvas. Trace of signature lower left, full signature on the back, with the date. Trained at the Tallone school, Moretti Foggia was mainly a landscape painter, who offers veristic views characterized by a very bright and material chromatic palette, mainly reproducing his native Val d'Ossola. But his production also includes several portraits, among which is the successful one of this elegant and smiling lady, portraits in which the influence of Cesare Tallone is evident, in the brush stroke and in the use of color, as well as in the attention to the female world. The painting is presented in a contemporary frame.

Italy, XX Century

Antique long table in elm, made using old woods; the top is a single board.

Italy, Late XIX Century

2-arm chandelier in wrought iron and sheet metal, richly embellished with golden floral elements and lacquered bells. Italy, late 19th century

India, XIX Century

Octagonal top in inlaid marble, with floral decoration and polychrome chessboard. It belongs to the Indian production made for export to the West, linked to the English East India Company. The very calligraphic decoration and made with colored exotic marbles and hard stones are typical of the taste of this area of origin.

Oil on canvas. The large scene, set in a hilly countryside, with a village and ruins in the background on the left, is completely occupied by the compact group of numerous living figures: the shepherd's family is seated in the center, watching his companion who is holding the swaddled baby in her arms; all around, the animals, from the faithful sheepdog to the animals of the flock, sheep, goats and cows, also resting. The great naturalism of the animal figures stands out, which harks back in pictorial style to the works of the school of Philipp Peter Roos, known as Rosa da Tivoli (1657-1706), the German painter considered one of the best animal painters active in Italy in the 17th century, characterized by the peculiar ability to evoke the fleece and the looks of the animals. The work, restored and relined, is presented in a gilded frame in style.