Antique Tablecloth Sicilian Embroidery Linen Italy XX Century

Delicate tablecloth with 12 napkins in fine fabric with shiny opaque floral themed decorations encrypted "GS" The tablecloth and napkins show some signs of age Rectangular shape Composition Flanders linen Color White Dimensions Tablecloth cm 388 x cm 340 Napkins cm 71 x cm 69

Elegant tablecloth with six napkins in fine fabric with shiny opaque decorations with a floral motif encrypted "GM" On one napkin small spots of time permanence Rectangular shape Composition Flanders linen Color White Dimensions Tablecloth cm 284 x cm 174 Napkins cm 63 x cm 64

Filet tablecloth Elegant tablecloth with filet cupids Imperfections some pulled threads Ivory color Dimensions 240 cm x 230 cm

Elegant tablecloth with six napkins in Flanders linen featuring shiny matt decorations typical of the fabric coded "NB" Rectangular shape Composition Flanders linen White color Tablecloth dimensions 163 x 141 cm Napkins 63 x 64 cm

Filet table cover Elegant table cover entirely embroidered in filet Composition Cotton White color Dimensions 255 x 160 cm

Delicate linen tablecloth with six napkins Rectangular shape Ivory color Good condition Linen composition Tablecloth dimensions 110 x 210 cm Napkins 36 x 36 cm

Tablecloth 138x165cm

Tablecloth with 6 small napkins Made with cotton. They have bright and matt decoration embellished with floral patterns. Rectangular shape Color white Material cotton Dimentions Tablecloth 138x165cm Napkins 52x52cm

Fiandra tablecloth with 8 napkins The tablecloth is embellished with matt-gloss decorations and is coded "NA" Small signa of wear Rectangular shape White Fiandra Dimentions Tablecloth 142x230cm Napkins 53x53cm

Gianfranco Ferré 1980s pure silk scarf. The gold, blue and red pattern depicts royal heralds creating a coat of arms with a crown.

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Zentrum Paul Klee

The journey to Tunisia is surely one of the most popular chapters in art history. When Paul Klee and his fellow painters August Macke and Louis Moilliet left for Tunisia in April 1914, a cornucopia of impressions awaited them: Tunis, St. Germain, Hammamet, Kairouan, and the people, architecture and scenery of the country inspired the three artists to produce a multitude of watercolors and drawings. They depart from the anecdotal Orientalism of the nineteenth century, abstracting their motifs and transforming them into ornamental shapes and crystalline structures. Their surprising, innovative images are a highlight of early Modernism. Klee went the farthest. For him, color became the most important creative tool; he dissolved the object in planes of color, and the visual construct became a pattern that he covered in arabesques and symbols.This profound publication follows in the footsteps of our extremely successful book on the Tunisian journey (1982), a milestone in the history of our publishing company. (German edition ISBN 978-3-7757-3762-3, English edition ISBN 978-3-7757-3763-0) Exhibition schedule: Zentrum Paul Klee, Bern, March 15-June 22, 2014

Evening bag dating back to the 40s and 50s, made with small cream white beads. The closure makes this item unique, made with beads and gold thread and embellished with small red rose applications. The conditions are good, despite some signs of aging: in some areas the beads have changed color.

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Nicolò Bettoni