Second Hand Suit by Luisa Spagnoli Pure Silk UK Size 10/12 - UK Size 10/12

UK Size 14

Long coat in pure cashmere, with wide lapels, concealed button and fabric belt. Cashmere, for Cividini, was the debut fabric in the fashion field, with the aim of breaking it away from the tradition of classic knitwear. Size 42 is shown on the label but it is a model with a loose and soft fit. Total length: 130cm. Sleeve length: 57cm. Shoulder width: 44.5 cm. Waist: 120cm.

Size 44

Single-breasted coat in pure wool, very soft to the touch, with two external and three internal pockets. The buttons elegantly recall the shade of the lining. Made with yarns from the Piacenza 1733 company, Italian excellence in the textile field.

Size 8

Sleeveless sheath dress with striped base of various thicknesses and turquoise embroideries, with an abstract pattern in relief. Lined. Side zip.

Size 18/20

Long dress in silk crêpe of Indian origin, straight cut, completely embroidered with black beads that create geometric designs. The conditions are very good, except for the elastic bands on the sleeve cuffs which could be replaced. The size is large, even if it can be worn by smaller sizes by tightening the belt at the waist (length 109 cm, waistline 104 cm).

Italy, Early XX Century

Garden statue in grit depicting Hebe, Italy early 20th century. Copy by Bertel Thorvaldsen (1770-1844), Danish sculptor exponent of Neoclassicism and major rival of Canova. Missing right hand.

Ceiling lamp, it is made of enamelled aluminium and the diffuser is made of methacrylate.

Pair of folding chairs with foam padding, imitation leather upholstery and chromed metal frame. Good condition (small cut on the upholstery)

Pair of table lamps with chromed metal base and blown glass diffuser.

Italy, Early XX Century

Earthenware base for garden statue, Italy, first half of the 20th century.

Italy, Late XIX Century

Oval majolica tray with shaped edge and polychrome Raphaelesque decoration with foliage and fantastic animals. Two dragons facing each other frame the Florentine lily, taking up a motif that is also quite well known in Deruta majolica. The blue mark on the back of the plate traces it back to the Bonato di Angarano manufacture (Archive of ceramic marks letter B).

Richard Wagner
M. Munf

Bortolo Belotti
Poligrafiche Bolis